There's something deeply connecting (and often very moving) about listening to a record and having your attention forced on it. So much that I usually start by thinking "I hope they turn it up," and by the end, when it has your sole focus, it's almost deafening.
When I travel for work, being in meetings all day and in an unusual place can be draining. Many years ago, I developed the habit of when I get back to my hotel room:
* Turn off all the lights
* Lay flat on my back in bed
* Put on headphones
* Listen to a few songs and give them my full attention
It very much helps me unwind after a long day. But it's also astonishing how much more I hear in the music itself when I do this. I remember the first time I listened to Portishead's "Wandering Stars" this way, I could immediately hear the slight push and pull where the organ riff isn't exactly on beat. I'd never noticed that (consciously) before.
Some years ago, I snagged a great deal on some Sennheiser HD600s. After also acquiring a Schiit stack (Magni + Modi) and finding high-quality audio sources, I would close my eyes, lay down on the couch, and just listen...actually, I'll call it perceive the music. No other audio experience compares, just like a huge screen which fills your vision is truly the best way to experience a movie.
Virtually all people on the planet perceive the world with their eyes but push the other four physical senses into the background. There's good reason for this reality, of course: of our five physical senses, the eyes are capable of providing the richest information. And yet, most discussion around increasing perceptual abilities are vision-centric. Learning to perceive with your ears, smell, touch, and taste in addition to eyes should also be learned.
I’ve been producing music as a side interest for a long time, and I learned early on that to really hear what’s going on during a mix I have to close my eyes and wait about 30 seconds for my ears to “open up”. My visual sense overrides the soundstage — I can make some technical choices about frequency masking and so forth, but I can’t fully hear with eyes open.
Similarly, it places you in a room, turns off the lights, and you listen to an audio performance. Though it is more soundscapes interlaced musically than the Pitch Black Playback's focus on albums.
There's something deeply connecting (and often very moving) about listening to a record and having your attention forced on it. So much that I usually start by thinking "I hope they turn it up," and by the end, when it has your sole focus, it's almost deafening.